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In photography there are hot lights and cold lights. Hot lights are always on, and in turn, get incredibly hot. Cold lights are also known as strobe equipment and are only on when the flash is triggered. Strobe lights are often sought out for portrait work because they’re more comfortable for the subject, and easier […]
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This article discusses the “magic” moment, i.e. when you already have your negative, paper, and materials, and everything is ready to make the fine print. What follows is not how to do it, it is how I do it, and it is intended for beginners. Your technique may vary. The article, however, assumes that you […]
Taking pictures of individual people is often the mainstay of general PR and editorial work. But there is a right way and a wrong way to do it. What I am going to look at is how to take a classic portrait shot, suitable for use as a PR image. Before you go on to […]
When it comes to DSLR photography sometimes things can get a little complicated, this is especially true when it comes to making the first purchase after your kit lens. To help you choose simply think of what you will be using your camera for, will it be for wildlife pictures, sports, portraits or even close up photography, and this can then help you choose the required lens. Do you choose a zoom lens, a wide angle lens, a prime lens or even a fixed aperture lens? Well don’t worry yourself to much because this article is here to help you.
This new eBook offers a peek into the work and techniques of Mitchell Kanashkevich. Journey Through Java is the fifth in our series The Print & The Process. Mitchell Kanashkevich is a curious world wanderer and a travel/documentary photographer who works passionately and skillfully to create exceptional images of some of the most amazing places in the world. In this book, Mitchell explains his approach to documentary photography and breaks down the photographic process and everything that it involves.
Enter RAW files – they might look horrible, but your options are open The way to think about it is that when you release the shutter, the sensor gets some digital information. Think of this info as the RAW file (it isn’t but don’t worry about it). Literally the 1’s and 0’s from the sensor. When your normal camera produces a jpeg it takes this info, does all sorts of clever stuff and produces your gloddy saturated beautiful jpeg and simultaneously throws away what it thinks is doesn’t want. RAW files carry a great deal more information than JPEGs.
Today I had the pleasure of interviewing Christine Szeredy, a professional photographer who specializes in capturing portrait and fashion photos for editorial and advertising. Her unique style has attracted a lot of attention on the photography network. My favorite thing is to work in various locations, with the goal of creating a connection between the model and the surroundings. I tend to switch between dramatic and being over the top to simplicity depending on location, clothing and intent of the picture.
Post-processing in photography is a very difficult art to master, most professionals develop their own unique style and approach to editing photos through lots of trial and error. Documentary and travel photographer Mitchell Kanashkevich has constructed an excellent E-book that walks you through the process of how to effectively and professionally post-process your photos. This […]
HDR photography allows one to stretch one’s creative approach to the photographic image in ways that never before seemed possible. Like any approach, however, one must learn some basic elements of the craft before one becomes truly proficient in the art afforded by the technique. In this post I explore some basic concepts of dynamic […]
