Articles by PictureCorrect Contributor, Author at PictureCorrect - Page 316 of 3773762 results

Olympus PEN E-P3, E-PL3, and E-PM1

Olympus PEN E-P3, E-PL3, and E-PM1

Today Olympus launches three new PEN compact system cameras designed to help inspiration-seekers capture their unique visions and share their stories in brilliant still images and high-definition (HD) video. The Olympus PEN family combines the portability of a point-and-shoot with features found on bulkier cameras or camcorders to deliver amazing image quality and lightning fast speed. With a new 12.3-megapixel Live MOS Image Sensor, TruePic™ VI Image Processor, high ISO of 12,800, a reengineered autofocus system, full 1080i HD video with Dolby Digital sound recording, newly designed user interfaces and a variety of Art Filters and built-in creative features, these powerfully simple cameras offer advanced capabilities without the complexity of a digital single lens reflex (DSLR) camera.

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Current Trends in Modern Family Photography

Current Trends in Modern Family Photography

Do you want your family photos to reflect your family’s style? Today’s families are using custom photography to tell a story with their family photos. Families are trending away from the chain photography studio shots and opting for more casual, documentary style photos. These photos can often show off your family’s personality and allow everyone […]

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Topaz Adjust: A Plug-In for Exposure & Color Retouching

Topaz Adjust: A Plug-In for Exposure & Color Retouching

I have been seeing more and more prominent photographers integrating Topaz Adjust and other Topaz Plug-ins into their post-processing techniques. Topaz Adjust is a very powerful and easy-to-use plug-in that works with Photoshop and many other programs. Some photographers use Topaz to make subtle improvements and others use it to apply HDR effects and amazing exposure adjustments. I reached out to Topaz this week and they offered us a coupon for PictureCorrect readers. Adjust 4 Highlights: Single-image HDR capabilities, adaptive color processing for a wide range of color effects, highlight and shadow protection – helps reveal lost detail, and more.

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How to Use Remote Flash Triggers in Photography

How to Use Remote Flash Triggers in Photography

As photographers we spend a lot of time playing with light. Light is our medium, we talk about its color, its quality, its size and its softness. And a lot of our talk is about how to change it. One of the first things that a novice photographer tires of and wants to change is the boring, flat light that their camera flash produces. While there are any number of devices that can filter or shape light one of the biggest groups of light changers are the remote flash triggers. At the most basic level one of the fastest ways to change flash light from flat and boring is to move its position. Once the flash is moved off of the top of our camera it loses the vital connections required to make it fire.

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Catchlights in Photography

Catchlights in Photography

Maybe you have questioned as to why quite a few of your pictures seem lifeless, monotonous or empty? Look at the picture; examine if the eyes of your subject have a catchlight. If perhaps it doesn’t this could possibly be one of the causes for what reason your portrait is visually monotonous. A catchlight, or often called eyelights, is referred to the depiction of the chief source of light that tends to make an unusual glimmer or flicker. This glint could be frequently located in the eyes of the subject per se. This may be a fundamental factor in contributing life or tone towards your portrait and is seen usually at 10 o’clock or 2 o’clock in the eyes, where it animates your subject most effectively.

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Pentax Q

Pentax Q

The camera’s tiny size, lightweight design, and superior image quality are made possible by an innovative PENTAX-developed imaging system. With a high-resolution 12.4 megapixel, 1/2.3 inch CMOS image sensor, the Q carves out an entirely new camera category that extends beyond traditional digital compact, APS-C or 4/3 digital cameras. The backlit sensor is a highly efficient light-gathering instrument that produces very little noise at high sensitivity levels particularly in low light settings. Further, the new Q lens mount is a perfect match with the new sensor and every interchangeable Q lens is designed for more advanced image quality than may be found on traditional compact digital cameras. This innovative PENTAX design is the foundation of the Q’s position as the world’s smallest, lightest ILC system with superior image quality.

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A Deeper Frame eBook

A Deeper Frame eBook

A Deeper Frame: Creating Deeper Photographs & More Engaging Experiences by David duChemin was released today and discusses the ways in which we express vision in photography. You’ll find this book refreshingly free of that word, vision, in fact. Here the topic is simple, though for something so simple it amazes me that it’s so […]

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Sony NEX-C3

Sony NEX-C3

The NEX-C3 features an attractive new body design that combines a satisfyingly solid metal top casing with an easy-to-use streamlined grip shape. Reducing the size of its internal circuitry visibly shrinks the camera’s size and achieves a body weight of just 225g (approximately 8 ounces) – nearly six percent lighter than its predecessor, the NEX-3 camera. Image quality, functionality and usability of the NEX-C3 camera also surpass that of the NEX-3 model.

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Panasonic Lumix GF3

Panasonic Lumix GF3

The Panasonic LUMIX GF3 produces high-quality photos with true-to-life details, thanks to excellent resolution, image rendering and color reproduction; high-grade lens options; and extremely precise Auto Focus (AF). Plus, the LUMIX GF3 creates the right balance between resolution and noise reduction, thus producing life-like images with accurate auto exposure and white balance, creating rich colors. Taking a page from the renowned LUMIX GH2‘s image quality, the LUMIX GF3 boasts full sized DSLR like Image quality thanks the same Venus Engine FHD image processor.

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Sony Alpha A35

Sony Alpha A35

Light, compact and easy to use, Sony’s new α35 (SLT-A35) interchangeable lens camera brings pro-style shooting speeds and diverse creative options to photographers of all abilities. Building on the acclaimed α33 and α55 models, the α35 camera with Sony’s Translucent Mirror Technology allows responsive, accurate continuous autofocus – whether shooting high-speed still photos or recording full HD movies.

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