Articles by PictureCorrect Contributor, Author at PictureCorrect - Page 305 of 3773762 results

As a photographer, you never know when the perfect opportunity to take photograph is going to come around. You have to always be prepared for the unexpected. For a portrait photographer who is used to working with a full studio light setup, that can be very tricky. To make matters worse, when photographer Eric Schwabel wanted to photograph The Burning Man festival in 2010, he had to add sweltering temperatures and frequent dust storms to the equation. Schwabel’s remedy to the discouraging elements was to construct a suit to hold his two Profoto Pro-b2 kits and Pro-7 heads. You can see the rig and some of his stunning results here.

In the last month there has been a number of variations on the viral video “The sh*t people say” As photographers, especially in the digital age, we have our own repertoire of such sayings and it was inevitable that there would a be photographic version before long. In fact, two have gone viral this week, the first is “Sh*t Photographers Say (Official)” shown below. How many of you have said or heard one of these things? Join the discussion on the PictureCorrect Facebook Page.

When today’s market is full of high definition, high mega pixel cameras, we are missing the warm, grainy, imperfect effects from the era of analog camera and films. Nostalgia is just part of the human nature. When iPhone became a cult and one of the most popular camera phones in the world, app developers wasted no time in creating vintage photo apps which make your photo look like they were shot 50 years ago. These photos look like distant memories already the moment they are taken and they radiate a warm, nostalgic feeling.

Renowned photographer Joe Macnally takes us to a field in Florida for a shoot using the new Nikon D4. The circus is has actually been built as a set and the lighting rig specially designed to emulate the look of circus spotlights. Take a moment to watch, there are many valuable insights. A somewhat challenging shoot was that of an elephant with circus performer. As well as using the spot light effects Joe has two very large soft boxes directly above the elephant to give even lighting to the animals skin.

With weddings, there are no “do overs” and missing that perfect shot could mean a permanently missed opportunity. With this in mind it is important for amateur and professional photographers to have the right kind of lens to suit the varying needs of the event. Shooting high-action events require on-the-spot configurations and super-fast autofocus details to capture the nuances of the moving subjects. Portraits are the windows to the soul of the photographer’s subject and present a challenging and beautiful medium for translating the often unseen world of what lies beneath the mundane surface of people, places, and things.

Canadian based photographers 2D Photography give us a detailed look at the process they used during an underwater photoshoot. As an added bonus, the team runs through an above the water photoshoot before getting the submerged portion of the shoot set up. A Nikon D3S was used in both segments of the shoot with an Aquatech kit protecting the camera while under water. Because the nature of the shoot required the power of artificial lighting, Nikon SB900 Speedlights with Phottix Strata II triggers were used, some of which were powered using a Profoto 8A Air flash generator. Take a look at the video here:

When the team at The Camera Store in Calgary decided to make a commercial for their store, none of them expected for it to become an internet sensation. You can imagine their delight when “The Battle at F-Stop Ridge” racked up over two million views and was featured on the homepage of Youtube. The creative ad spot features a battle of epic proportions; however these soldiers traded in their guns and ammo for cameras and film. If you haven’t seen the ad yet, take a look here.

The idea behind street photography is to take a candid shots of interesting people, places, or moments in time. The best street photographers work with minimal equipment, usually just a camera–no speedlights, no light meters, no other gadgets that were designed to make our jobs as photographers easier. A good street photographer must posess certain skills […]

Today, imaging leader Nikon Inc. announced the highly anticipated D800 HD-SLR, engineered to provide extreme resolution, astounding image quality and valuable video features optimized for professional still and multimedia photographers and videographers. A camera with an unmatched balance of accuracy, functionality and image quality, the Nikon D800 realizes innovations such as a high resolution 36.3-megapixel FX-format CMOS sensor, a 91,000-pixel RGB Matrix Metering System, Advanced Scene Recognition System and many other intuitive features designed to create the preeminent device for the most demanding photo and video applications.

Commercial photography can be a tedious process. Oftentimes, a single finished image can be comprised of over 30 photographs. The process of blending all these photographs together ensures that every part of the product is lit perfectly. This is especially useful when photographing objects as large as a Volvo semi-truck. Commercial photographer Tim Bjorn has done just this. Bjorn emphasizes the importance of not moving the camera during photo-shoots of such large scale. This is done, Bjorn says, by finding the perfect angle. “That is the key, no camera motion.”