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The tripod head is an essential part of this piece of equipment. This is what holds the camera in position as it is needed for. There are several kinds of heads of which are available to photography enthusiasts. Some of these are permanent fixtures to the tripod while others are marketed as a separate or optional addition to the equipment. Camera tripods’ heads come in different types. Some of these are meant for specific purposes while others are more versatile in its use. The pan-tilt head is aptly named. This is one which can be moved accordingly to either side to be able to accommodate both vertical and horizontal orientations.
What is aperture? What is the use of setting a large or small one? Let’s dive into those mysterious numbers and find out what they mean. Think of the aperture as the opening of your lens. Light arrives and its photons are focused onto the sensor by the lens. The incoming analog signal is translated […]
There are 4 things that you have to be on the lookout for in order to keep your DSLR away from danger. These elements are sand, water, heat, sunscreen and dust. What are the signs that’ll tell you your DSLR has already come into contact with any of the 4 elements? How can you solve it? Most importantly, how to avoid ever letting your DSLR get exposed to these 4 things? When your DSLR gets into contact with sand, you will notice that the moving parts of your DSLR get stuck. The error message on your DSLR’s screen appears.
Winter in the Canadian Rockies by Darwin Wiggett is the newest eBook to be added to the Craft & Vision library and the latest in The Print & The Process Series. It contains some specialized techniques on how to capture professional winter landscape photos using specific filters, light-painting, lenses, camera settings and more. Darwin captures […]
Photographers from all over the world have been flocking to the site to show their work and network with others in the industry. It has become one of the largest photography social networks on the internet and remains completely free of charge. Many improvements have come to the site recently such as new photo likes […]
What puts off most people from starting a hobby such as bird & wildlife photography? – it’s simply the cost. A Canon EF 500mm f/4L IS USM Super Telephoto Lens will cost you about USD 6,000. Apart from the price the other negative aspect is the weight. This beauty weighs in at 8.5 pounds! Imagine trekking through the forest or the jungle for several hours lugging this weight on top of your other photography gear. When out in the field taking wildlife shots, it’s important to approach your subject with patience and not to get too close.
Exposure compensation is what you can do to override the exposure settings set by the camera’s metering system. Assuming you have set the ISO to a specific level, eg. ISO 100, the metering system in your camera measures the amount of light in the photo and tells you the aperture and shutter speed needed for a correct exposure. There are usually 3 types of metering methods used in today’s DSLR cameras. Most cameras use multi-segment metering as the default metering system. This metering system measures the brightness in several areas in the photo and finds an average (emphasis varies depending on the camera).
1) Never shoot your subject head on! Did you know when you photograph a person with both of their shoulders and toes pointing at you, you are creating a very unflattering image? The body position creates a block to the flow of light. The broad shoulders add at least 10 pounds to your subject. If you are photographing a quarterback or linebacker, then go for it, but if not don’t do it! Instead, turn your subject at an angle away from the camera. If the head angle is correct, you should not be able to see the subject’s far ear.
Taking photos with a flash often gives ugly results. Washed-out, flat, phony-looking faces with monstrous makeup can ruin your memories of any special occasion. Everything else is so dark it’s useless. Here’s how to take great, natural-looking portraits and photos in low or very low light. While written for digital cameras, many old film cameras can use these tips, too. The overall strategy is control or compensation for low light, and using some simple built-in controls on your camera. The key to getting them to work the way you want is practice, practice, practice.
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