Articles by PictureCorrect Contributor, Author at PictureCorrect - Page 308 of 3783772 results

Time lapse photography has always been a magic process where time is condensed and the familiar process of time experience is dramatically changed. Processes such as plants growing, a building being constructed, or an entire city changing through the cycle of a day and night, have become the subject of creative, expressive videos or films. Once you master time-lapses where the camera is stationary, you might wonder how professionals create sequences where the camera moves through a scene. These videos offer some helpful clues.

2011 has come and gone and we enter 2012 hopefully wiser and more experienced on our digital photography journey. If you haven’t learnt any lessons from 2012 it’s time to sit down and do a quick evaluation. If you still haven’t then takee a look at the lessons I’ve learned and maybe you’ll learn something […]

I have been using Lightroom for a couple of years now and it is a very powerful program, especially if you are a wedding photographer and you have a large quantity of photos to cull and edit. Not only is it great for organizing photos, but it is very good for editing. It is most […]

The advent of cheap, high quality digital SLR’s has dramatically changed the world of photography, perhaps no more than in the wedding photography business. Whilst there are many talented newcomers to this industry, there are many who believe that they can jump straight in and do a job that is actually among one of the most skilled and stressful in the business. This video from the popular US show Judge Joe Brown highlights some of the many pitfalls of wedding photography and shows the not inconsiderable knowledge of the Judge himself about the art and techniques of wedding photography.

Making the Print – Printing Techniques for the Digital Photographer (A Masterclass) by Martin Bailey was released today and is designed to walk readers through professional grade photo printing. I personally have found myself overwhelmed by printing in the past, it can be very difficult to establish a quality print workflow with a lot of […]

Northern California filmmaker Jesse Rosten regularly directs imaginative commercials professionally. He uses his talents here to reveal the trend to create unrealistic advertising in the beauty industry. Photographers and designers, who are very aware of the techniques, will laugh at the packaging of the various photo retouch effects commonly used to transform images.The music, editing, lighting, narration and other elements imitate a real commercial, including amusing motion graphics and marketing jargon.

To commemorate the one year anniversary of the BP Deepwater Horizon explosion, filmmaker Mike Fritz teamed up with Associated Press photographer, Gerald Herbert, to produce a short telling of the impact the oil spill has made on the Gulf Coast. The slideshow offers viewers a collection of photographs taken by Herbert over the past year to capture the affects of the spill and the progress that has been made to restore the Gulf. Herbert also delivers the narration for the film, as he expands on what it was like to cover the tragedy and the progress being made.

Photographing the 4th Dimension: TIME by Jim Goldstein was released recently and delves into the complicated techniques of slow shutter photography, time-lapses, and more. It explores several techniques that will allow you to photograph the 4th dimension and create engaging high-impact imagery. With all the rich information, excellent example imagery (including settings information), and visual aids to explain concepts; I found this eBook to be very helpful and plan to keep it as a reference in the field.

A few months ago we wrote about an extremely popular time-lapse from space that shows footage of earth as seen from the International Space Station (ISS) by Commander Mike Fossum, during Expedition 29. Now there is a video interview conducted by astronaut Mike Massimino from the NASA control center that reveals some of the techniques and equipment that captured the low light, night photographs. Fossum was using a Nikon D3 due to it’s low light capabilities. Keep in mind that the Nikon D4 was just announced and will be released shortly. Here is the interview from NASA.

The Canon PowerShot G1 X camera has a bright, large 3.0-inch vari-angle LCD with 922,000 dots of resolution providing photographers with the highest quality available in a point-and-shoot. The inclusion of the Mode Dial on the top of the camera and the Front Dial helps provide more intuitive control of the camera.