Quick Tips to Learn How to Use a Digital SLR Camera

If you’re the typical digital photographer, you have to wonder if there’s a faster way to learn how to use your camera. The owner’s manual is written by a technical writer often not a practicing photographer.

Photo captured by gianmario

Photo captured by gianmario (Click Image to Find Photographer)

Follow these steps, using your manual as a guide, and you should be taking pictures in no time.

  1. Take some pictures on automatic, program, aperture, or shutter priority mode
  2. Download the images onto your computer
  3. Format the card
  4. Change the ISO
  5. Change the shutter speed and aperture
  6. Change the white balance
  7. Change the compression or quality
  8. Choose which Autofocus Sensor in your viewfinder to use.

Once you’ve mastered those 8, learn how to do these next:

1. Enable the histogram for image preview. You might be asking yourself what this does. The histogram is the most reliable way to determine if you have properly exposed your image. How that picture you just made appears on that tiny LCD monitor is not a good indicator. Under dark surroundings the image may look great and in bright sun, it will look underexposed. Learning to interpret what a good histogram is the best method and not at all difficult.

2. Change the metering mode. Essentially these settings allow you to tell your camera’s meter what you want it to favor when taking a light reading. Since light meters are “dumb” and tend to want to average out every scene, they can get fooled in tricky lighting situations.

"into the light" captured by Gerry Morgan

“into the light” captured by Gerry Morgan (Click Image to Find Photographer)

3. Set the output of the flash. Some digital SLRs have built-in or pop-up flash units which remind me of a crab’s eye.

4. Set separate buttons to trigger auto-focus and shutter release. Canon and Nikon and possibly other camera makers understand the necessity of splitting the function of actual shutter actuation and autofocus. Other camera manufacturers may have this capability as well, but I can’t speak to that since my experience is limited to those 2 brand names. Why is this useful you might ask? When you just want to follow focus or track your moving subject like in sports photography, use your thumb ti hold down a button on the back of the camera and activate the autofocus. When your subject stops moving, all you have to do is remove you thumb from that button momentarily, then press the shutter release button with your index finger.

5. Disable shutter actuation if there is no memory card. Fancy speak for setting your camera so that you can’t take a picture when you don’t have a card. This is a throwback to the days of film. Many a photographer have been burned thinking they had film in their camera, so just make sure you can’t trip the shutter if there is no memory card. You may not have to change this, if this is already the default setting.

6. Reset to factory default. When things go awry, learn what happens if you have to do this. Your owners manual will tell you what the default settings are. The layers upon layers of options under the myriad menus in today’s digital SLR makes card-counting by professional Black Jack players seem like child play. So sometimes starting over may be your only option. As you customize your camera, write notes on your owners manual on what you’ve enabled or disabled.

learning a camera

“Seagulls” captured by Xzavier Blackmone (Click Image to See More From Xzavier Blackmone)

7. Disable the beep when autofocus is achieved. This is probably more my pet peeve than anything. As the photographer you can see or confirm your subject is in focus, you don’t need to hear an audible signal. It’s distracting, amateurish and drains the batteries.

8. Disable autofocus. This may not be so obvious but there are times when you want to pre-focus at a particular spot. And switching to manual focus is the best way to make sure the camera’s autofocus sensor doesn’t get fooled. This switch is usually on the lens.

9. Drive mode. Or how quickly the camera fires after it attain focus. This is different from the old film days because it is dependent on how quickly the camera can write to the memory card which is in tern dependent of the brand or calibre of the memory card you use.

Other less used functions which apply to flash photography might include high shutter speed sync, automatic flash bracketing and rear curtain sync. But those features are only available if you happen to cough up the big bucks and buy a brand name speedlite or flash units from Canon and Nikon.

About the Author:
A Riverside-based freelance photographer, Peter Phun also teaches photography at Riverside City College. He does portraits, weddings, and editorial work. He writes about photography, Macs, and the internet. He also designs websites and is a stay-at-home dad.

Like This Article?

Don't Miss The Next One!

Join over 100,000 photographers of all experience levels who receive our free photography tips and articles to stay current:


  1. Edwin says:

    Have to disagree with you on the autofocus beep.. Some of the cheaper telezoom lenzes (yes I’m speaking from a budget/starter point of view, since I’m in that position myself) have a hard time focusing. By the time you realize that your lens has finished focussing, the subject could already be long gone. I think that with the beep on, you can press the shutter faster that without…

  2. Jim says:

    I am not sure about this article. Even beginners are often advised to shoot RAW, so why fiddle with the white balance? Only a newbie would need to read this article, and I wonder why a beginner would need to begin by using manual focus? How about all the other things that matter? Composition, exposure, getting out of the green automatic function settings? Similarly, a beginner would probably benefit from the beep from the autofocus.

  3. mike penney says:

    This is so bogus…. If you are of limited experience with a camera, lenses, and lighting you shouldn’t be within 100 miles of someone’s wedding as “the” photographer. I have seen more crap produced by more amateur “professionals” than I can stand. Just because you can produce that wonderful sunset/waterfall photo on your hiking vacation doesn’t mean you can deal with a complicated photo shoot like an ad campaign or a wedding. Don’t ruin peoples’ day… leave your canon rebel or your nikon D3 or your 1DX home if you haven’t worked for 1000’s of hours to actually learn how to do these sorts of things.

Leave a Comment

Personalize your comment with an avatar from Gravatar.com!

New! Want more photography tips? We now offer a free newsletter for photographers:

No, my photos are the best, close this forever