# Hyperfocal Distance Photography: Calculations & Focus

In this article I am going to discuss the special focus condition called Hyperfocal Distance (HFD) and how you can employ it with today’s DSLR cameras to achieve the absolute greatest possible depth of field for any given situation. Hyperfocal focus will allow you to produce a DOF that extends from the nearest possible point to the camera through to infinity.

“Till The Morning Sun” captured by Mark Broughton (Click Image to See More From Mark Broughton)

Maximum depth of focus allows you to use relative subject scale as a creative aspect in your compositions while still keeping everything tack sharp. Since the relative size of objects projected on a flat plane, i.e. “the film” or “the sensor” is dependent on their position relative to the camera, objects close to the camera will appear larger than those distant. If you can focus on both you are able to produce a virtually tactile appearance of the near objects while making them ‘scale’ noticeably larger than the distant objects. A good way to prove this to yourself is to place your camera next to a long fence while keeping everything in focus. Not only do you get a geometric convergence of parallel lines, but the close objects appear with maximum texture and detail.

Hyperfocal distance is that special focus condition in which clear focus is obtained from ½ the hyperfocal focus point to infinity. Put another way, if you know what the HFD is for the given lens focal length and f-stop and focus on it, then everything from ½ of that distance to infinity is in focus.

Now here is the key point: HFD is calculated using only three numbers, the lens focal length, the f-stop used and the circle of confusion. The circle of confusion is a number you can get from a reference table and does not vary. As a practical matter if you want the DOF to extend from the closest possible point to infinity you’re going to be shooting at a small f-stop anyway so you don’t care about wider lens apertures. I’ve run the HFD table for a 50mm lens which I often use and have burned into my brain that at f-22 the HFD is 20 feet and that half of the HFD is 10′.

This then is my rule of thumb for this lens: at 50mm if I set the prime focus on 20′ I know that everything from 10′ to infinity is dead sharp. By the rules of optics, I know that a 50mm lens when focused on the HFD at f-22 will produce a sharp image from 10′ to infinity. I also know that I can’t get any closer than 10′ and still have my focus extend to infinity, it will be something less- but not infinity. I don’t need any other tables or calculations for this lens when I’m at f-22 which I will be for landscape work. I have similar figures for all my other prime focal lengths and the whole thing fits on a laminated card that fits in my pocket!

“Rome” captured by Lilia Tkachenko (Click Image to See More From Lilia Tkachenko)

To understand the implications of the above I recommend that if you have not already done so, go to dofmaster.com and print out a depth of field table for a Canon 30D, 50mm lens. If you read the distance scale at the far left to 20 feet and then move right on the page to the f-22 column you will see that the close focus point is 9′-9.7″ and the far focus point touches infinity. You can also tell from looking at an extract of the table below that if I focus on 18′ my near focus point is 9′-3.6″ but my far focus point is 276′, far but not infinity! If I move to 20′ which is the calculated HFD, I touch infinity. If I focus beyond 20′, my near focus point moves away from the camera and to infinity.

50mm lens @ f22

Focus Distance………………Near Focus Point……………Far Focus Point

18………………………………………….9′-3.6″……………………………276′

20………………………………………….9′-9.7″…………………………..Infinity

30………………………………………….11′-8″…………………………….Infinity

To round out your understanding of HFD, proceed to dofmaster.com and download their free HFD calculator. Input of all values required on the data screen is pretty straightforward except the circle of confusion which you should initially set at.019mm for most handheld digital cameras. If you want to more know about circle of confusion, you can read further on their website. In any event, program the screen and output your HFD chart.

For my 50mm lens, setting the circle of confusion at.019mm: my chart reads the following and I calculate the near focus as ½” the HFD as:

f-stop………………HFD…………………….½ HFD

2.8…………………..150’……………………75′

4……………………….110’………………….55′

5.6……………………..80’…………………..40′

8…………………………55’……………………28′

11……………………….38’………………….19′

16………………………27’………………….14′

22……………………….20’………………….10′

I hope the foregoing has been helpful in understanding the useful arcana of focus in applied optics. Now go out there and shoot some (well focused) scenes.

“Times Square” captured by Jason Lavengood (Click Image to See More From Jason Lavengood)

Again, many thanks to Don Fleming for putting up and maintaining dofmaster.com a wonderful site that has all sorts of free and info and goodies related to DOF and related subjects.

Jeremy Myers is a wedding officiant and is the owner of Lyssabeth’s Wedding Officiants at: Marin Wedding Officiants and Monterey Wedding Officiants.

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1. Jolua says:

It is amazing the way this effect works, these pictures are great. I really enjoy when I see a good picture with a foucs condition like this.

The great thing about this is that now you are sharing a very practical way of calculating it, may be with some pratice I could get the same results that you are showing here!

Thanks for the Article.

2. As always the images you choose to use are so incredible!

3. Lyn Scott says:

My confusion with all of this hyperfocal distance comes in when I am using a zoom. What lens mm length do you use? The charts are not set for zooms, just prime.

One of the most amazing articles I have come across recently!!! I definitely will be suing this for landscape work. I am just a hobbyist but have always wondered how I can get maximum in focus. I have a couple of questions and I will highly appreciate it if you could answer them.

(1) I have 24-85mm lens. When I input focal length in this formula (http://www.dofmaster.com/dofjs.html), do I put 24 or 85 or the actual focal length that I am using while taking the picture?

(2) What are the implications of not sticking with f/22? Should I always go with the smallest aperture?

(3) Lastly, for subject distance, do I replace 10 feet with the actual distance of the subject where I am focusing on to calculate HDF?

Thank you .

5. Wilba says:

It’s a shame that you’ve perpetuated the “everything in focus” myth of hyperfocal shooting. In fact only things at the focus distance are in focus and everything else is out of focus, but a viewer with average eyesight viewing the image under standard conditions might not notice. You haven’t mentioned other factors like diffraction and object field effects which affect perceived sharpness.

To the reader” don’t believe the hype (pun intended), look further than this naive advertisement for a deeply misunderstood and flawed technique.

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