Shadows - The Forgotten Element That Can
Make (Or Break) A Photograph!
By: Danny Eitreim
As photographers, we obsess over light. How much of
it, the direction it's coming from, the color and so
on...
Isn't the very WORD - photograph - ancient Greek for
writing with light? (Photo = light, graph = to
write) Maybe it's Latin, I'm doing this from memory.
In our obsession, we buy studio lights so we can get
more of it, at the right color and direction. We use
multiple lights to eliminate unwanted
shadows! And to add highlights. We buy
reflectors to fill in the shadows and we bounce our
- on camera - flash off the ceiling to avoid shadows
on the walls.
A quick search in any library or bookstore will show
dozens (if not hundreds) of books and magazines
devoted to controlling light.
So far...I've never run across a book devoted to
capturing shadows!
But, isn't it the shadows that define mood?
Picture in your mind, a photograph of a smokey New
Orleans, jazz club. Was your mental photo in color
or black and white? Probably black and white, but
even if it was in color, was the room well lit - OR
STEEPED IN SHADOW?
When your subject is a little - shall we say, hefty
- how do you tell them to dress for their portraits?
In white? Or in black?
In case you're new to photography, and know
absolutely nothing about fashion, I'll tell you -
it's black. Why? Because shadows define shape!
If they are wearing white, all the shadows cast by
their excess weight are clearly visible. Wearing
black, the shadows aren't that visible and thereby a
person look thinner.
When you study the various lighting patterns, you'll
see they are almost all defined by the shadows - not
the light! Rembrandt, broad light, narrow light,
split light, butterfly and so on...it's the way the
shadows appear that determine the pattern. Without
shadows, all lighting patterns would be the same!
Wrinkles are defined by the shadows. That's why
lights are always positioned directly in front of
models - to eliminate any wrinkles. The same for
blemishes. We mostly notice pock marks because of
the shadows.
So, when you are doing a portrait session, consider
the shadows. What kind of mood are you after? Do
they have wrinkles or blemishes that need to be
filled in? Do they have a wide face that can be
narrowed by shadowing one side?
Photographs are on paper and are two dimensional, so
the best photographers look for ways to include
shadow. Can YOU add shadow to give the portrait
depth and dimension?
When you start to think about shadows as intensely as
you do about the light, that's when your photography
will move to the next level.
It's the shadows that create the illusion of depth
and shape and it's the consideration of shadows that
can turn a snapshot into ART. People will know they
are looking at something special but they won't know
why, because shadows truly are the forgotten
element.
Dan Eitreim has been a professional photographer in
southern California for over 16 years. His data base
exceeds 6000 past clients, and he says that selling
YOUR photography is easy - if you only know a couple
tried and true marketing strategies. He's created a
multimedia presentation that can teach ANYONE how to
sell their own photography and generate freelance
income in as little as two weeks. To learn more and
enroll in a FREE photo marketing course, go to:
http://www.PartTimePhotography.com.
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