How To Get Perfect Composition In Your
Digital Photography
By: Amy Renfrey
In
digital photography you’ll find that the 3 main
components that make up the success of your images
hinge on each other. What I mean by this is: 1. Light 2. Technical knowledge 3. Composition
These all depend on each other closely to make up a
beautiful digital photograph.
It sounds easy doesn’t it? Well it is, when you have
practiced. But when you are starting out learning
how to get better shots with more depth and clarity
you can start focusing on the technical but perhaps
start forgetting about the artistic side and visa
versa.
Its common problem when we first start learning
digital photography. We realize that we must drill
the technical stuff into our heads so we can
improve, and what tends to happen is that we get
caught up for a bit. We can forget that photography
is artistic. And the artistic side of your digital
photo needs perfect composition. So here’s a handy
technique that I discovered for myself to getting
that perfect structure in my composition that I now
want to share with you.
A great way, no a fabulous way to get perfect
composition in your digital photos is to practice
with your zoom. Start by picking your subject and
focusing on it.
Let’s say it’s an apple on a bench. Usually what
happens is that people take the angle too far away,
getting the distracting background objects in the
picture. This takes away the beautiful and freshness
of the subject leaving us rather cold as far as an
emotional response for the photo.
There are a couple of things you can do. You can
remove the annoying background clutter and take the
apple as a singular subject against a look of
“nothingness”. This can be quite an effective shot.
Or you can zoom in a little bit at a time and see
what composition works well. This is what I can
zooming in increments.
Zooming in on a subject in increments can be a very
effective way to practice getting your composition
just perfect. You can take several pictures of your
apple using different “zoom lengths” to get the
right angle.
Be aware that this may impact the light in your
photo. Generally how it works is that the closer you
zoom in the less light you have to work with because
you’re closing in on your subject and reducing the
physical space that light falls on an area. This
really applies if the subject has no luminance of
its own.
In
order to compensate for this decrease in light you
can change your aperture. This means altering the F
stop on your camera if possible. You may start out
from 1 meter away from your apple at F 16 for
example. Then, the closer you get the more light
loss you experience and you might just find that
changing your F stop to F8 works well when you
reduce the distance between you and the apple, ie.
instead of taking the photo from 1 meter away, you
take it from 10 cm away.
Try this out and see what I mean. Playing around
with the zoom can really help you kick start your
mind into feeling where the best composition is. And
soon enough, you won’t even have to think about it
consciously because you’ll just know what works.
Happy shooting!
About the Author
Amy Renfrey is the author of two major successful
ebooks “Digital Photography Success” and “Advanced
Digital Photography”. She is a photographer and also
teaches digital photography. Her educational ebooks
takes the most complex photography terms and turns
them into easy to understand language so that
anyone, at any level of photography, can easily move
to a semi-professional level of skill in just a very
short time. She’s photographed many things from
famous musicians (Drummers for Prince and Anastasia)
to weddings and portraits of babies. Amy also
teaches photography online to her students which can
be found at
http://www.DigitalPhotographySuccess.com.