Proper use of shadows and
lightings
By: Maricon Williams
Light
creates shadow and shadow in return, enhances the
appearance of the subject. The interaction of the
two is fascinating. Light can make the subject
feisty or dull while shadows can make it mysterious
or terrifying.
Shadows add facet and meaning to an image.
Without shadows the object may appear plain and
boring. Lights and shadows establish the correlation
of one object to another and their place in the full
scene. The position and strength of the lights and
shadows also set the general mood of the subject.
It is engrossing to play with lights because you can
do amazing things to your subject just by
manipulating it. The sun is inviting and the objects
are responding. The latter casts bright and
translucent blaze that overly saturates the colors
of the scene making sharp shadows. Artificial light
also exudes brightness that illuminates a scene from
different perspectives. It allows innumerable
shadows that collide and contends for prominence.
Artificial light comes in a wide array of colors.
Colored shadows are then created by colored light
sources.
With the help of Photoshop, the object is vested an
illusion that it has a third dimension. Photoshop’s
files are configurations of pixels that are put
across the width and down the height of an image.
Third dimension’s illusion is created through the
use of accurate shading and perspective.
The
sun’s shadow identifies the time of the day. It can
tell whether it is morning, noon or afternoon just
by its shadow. Shadows are also essential in some
types of arts like painting, photography and stage
play. With Photoshop you can lower your subject’s
opacity and blur the layer with the Gaussian Blur
filter. Select Filter> Blur> Gaussian Blur. By this
you can manipulate and play the time of your
masterpieces.
Shadows are created in various shapes and sizes. You
can play with it to create an amusing blend of
objects forming a remarkable artwork! There are
instances when the object casting the shadow is
hidden. There are also times when you have to make
them visible to the scene.
Drop shadow, a distinct type of shadow, has the
identical shape of the object casting it. The
distance of the object and the path of light source
resolve the position of the shadow. Layer Styles
allows you to add a drop shadow to layers. It can be
controlled in many ways.
To
position the shadow, adjust the Angle field’s value
in the Structure of the dialog box. The distance
verifies how far the shadow will fall. The Spread
field works like the Hardness feature of the Brushes
- intensify the percentage to yield a harder edge.
To set the size of the shadow, click on the Size
field. To set its shape, choose the Contour field.
You can also click on the Contour icon to bring up
the Contour Editor – with it you can set your own
parameters.
To set a noise level for your shadow, click on the
Noise field. When you click on Add Noise filter, it
applies the noise to the layer. In the Layer Style
dialog box, you can find Blending Options. In the
General Blending section, you can set the opacity.
After that, go to the Advanced Blending section and
see the Fill Opacity setting. This allows you to
lower the opacity without changing the style
effects.
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