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November 2005
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November
30, 2005
Digital
Photography Article
An extensive look into how digital cameras differ from
film cameras, how they work, and what to look for when shopping
written by Roy Barker.
Full
Article
November
30, 2005
The World of Still-Life Photography
Roger Lewis writes, "Set up your soft box at an
angle of 45 degrees to the left or right of camera
and slightly to the back of the set. This should be
for small still-life objects and the light should be
no more than a meter away from the subject, so you
are able to stop down, (set the lens aperture), to
at least f22, to get as much depth-of-field as
possible so the image will be in sharp focus. If you
have a second flash head, use it bounced off the
ceiling to help to fill any shadow area."
Read More
November
30, 2005
Nikonnet
Honors Advertising Photographer Al Satterwhite
Nikon Press Release Excerpt:
Satterwhite has had a busy career. While still in high school
he shot for the St Petersburg Times, then moved on to ten years
of freelance magazine work, shooting assignments for Fortune,
Car & Driver, Life, Time, Newsweek, People, Sports Illustrated
and Travel & Leisure, among other top magazines. In 1980, he
began a 15-year run of national and international advertising
photography. His clients included American Express, Kodak,
Porsche, Saab, Coca Cola and Nikon. He also found time to
lecture, conduct workshops, work on book projects, including A
Day in the Life of Spain, and Lights! Camera! Advertising!
Read More
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